The narrator describes her routine with Jorg, how he would order them food and watch television with her, and then “leave the house again,” and how she would be in bed by the time he gets back (page 22). From this we get the sense that the narrator has fallen into her familiar pattern of pretending nothing that happens is actually happening to her. She describes her life from a distance, as if she is a character in a movie.
However, one day while doing this she sees some scissors on a desk and decides to act. The scissors are described in great detail, and in a very strange manner as well. Not only are they “long” and “narrow”, but there are “two angular little men” standing atop the blades (page 22). The narrator then becomes suddenly unsure of who she is sleeping with, describing him not as Jorg but as “a man whose name was probably Jorg” (page 22). She is starting to lose track of reality, and cannot be certain of anything any more.
But this scene gets even stranger, as the narrator decides to kill Jorg. She holds the scissors on top of her “in the dark” so he cant see them, and he “flung himself on top of me and the scissors pierced his flesh” (page 23). The matter of fact way the mans death is described is very disturbing. And the details are quite graphic, as she describes feeling the scissors pop through his spine and out of the flesh on his back, and how “his eyes swelled and popped” (page 23).
But probably the strongest part of this episode, and the thing which makes it so important in understanding the narrator and how she relates to the world around her, is how she describes her feelings after what is essentially a murder, even if it is an understandable murder because of how Jorg kidnapped her. As the mans corpse falls next to her in the bed, she felt “as if there might be peace in the room for a while” (page 23).