The movie is the screen version of the best-seller by the former television critic Gillian Flynn. The critic Scott Smith wrote about it: “I cannot say this urgently enough: you have to read Gone Girl. It’s as if Gillian Flynn has mixed us a martini using battery acid instead of vermouth and somehow managed to make it taste really, really good. Gone Girl is delicious and intoxicating and delightfully poisonous. It’s smart (brilliant, actually). It’s funny (in the darkest possible way). The writing is jarringly good, and the story is, well…amazing. Read the book and you’ll discover – among many other treasures – just how much freight (and fright) that last adjective can bear” (Smith).
Flynn wrote the script for a movie herself. She says that her main goal was to keep the spirit of the novel. This spirit is gloomy and depressive. Therefore, it is no wonder that the author of movies Seven, The Game, Fight Club, Panic Room, Zodiac, Girl with the Dragon Tattoo David Fincher decided to make the screen version. For now, his only optimistic picture is “The Curious Case of Benjamin Button”. In all the other works Fincher tells us about maniacs, mental pathologies, etc. Certainly, we shouldn’t forget about his “Social network”, but it also cant be called optimistic. It is interesting that Gone Girl is a feminist and anti-feminist movie at the same time. For example, Fincher’s “The girl with the dragon tattoo” was absolutely feminist. However, as a new movie of the director is in general anti-human, it contains two opposite doctrines: the sacrifices women make for men are great and dramatic, but women also mock at men so much that it depreciates their own sacrifices. The psychological thriller is a genre that is very popular in the modern world, but the movies of this genre are usually very pessimistic. The inner world of every person is dark and frightening, thus this genre appears to be the most difficult and not every director decides to work with it.
.  .  .  .  .  . .Still, there is one thing that makes Gone Girl less gloomy. One of two main characters seems to be too specific, not corresponding to the ideas of an average person. Rothman states: “Gone Girl” is a fantasy, of course, and it takes place in a dream world, not reality. Leaving the theatre, you have to ask yourself how connected these ideas are in real life. And you can’t miss the fact that, fundamentally, “Gone Girl” is a farce. There is no .real .crime or horror in the Dunne household. Amy and Nick hurt one another, but in unexceptional ways. Nick’s affair with a sexy student – Emily Ratajkowski, of the “Blurred Lines” music video – is played for comedy. In fact, it’s the creation of a heightened atmosphere of suspicion around those banal “crimes” that leads, eventually, to the real ones. Maybe “Gone Girl” is just playing around-making up, rather than finding, connections within our imaginative lives”. The movie is a fantasy. therefore, it is not necessary to make frightening generalizations. But they still can be made. And this really frightens.