Ludwig van Beethoven Moonlight Sonata.

There should not be any form of discrepancy in the music in accordance with the counterpoint rules laid out in the classical period. As such, this rule requires that two separate voices not to move in parallel fifths or octaves. This is unless one of the voices acts as a double to the other voice. Therefore, it should be clear that the middle triplet not does not double the bass-line, which is already doubled. This provides that the –c should be played in the place of b.

The First Movement

Don't use plagiarized sources. Get Your Custom Essay on
Ludwig van Beethoven Moonlight Sonata.
For as little as $15/Page
Order Essay

In most cases, the first movement adheres to the form required for the sonata. The explosion provides that the second subject is from an inferior key rather than from a key that is dominant. This is usually the case in a classical sonata form. As such, the key instead sounds in a key that is not even a parallel key, the B minor key.

The Second Movement

Going forwards, the second movement is apparently a lighthearted exercise as expected in classical harmony. This is unfortunate because the main motif hardly comes out as a good melody. In addition, the main motif appears repeatedly in the second movement, more than twenty times in the course of about two minutes. he third movement begins with notes that are the same to those in the first movement. As such, this 3rd movement stands out as a fierce fiery presto in the sonata form. The notes that appear in both the 1st and 3rd movements are the c-sharp, g-sharp, e and c-sharp.

Order your essay today and save 25% with the discount code: MANGO

Order a unique copy of this paper

550 words
We'll send you the first draft for approval by September 11, 2018 at 10:52 AM
Total price:
Top Academic Writers Ready to Help
with Your Research Proposal
Live Chat+1(978) 822-0999EmailWhatsApp

Order your essay today and save 25% with the discount code THANKYOU